"We Know We Belong to the Land": The Theatricality of ... - jstor

them from racial privilege, they could often adopt the role of white. American and ... to speak, dress, and sing or dance in the American ... Laurey fears the racial other-Jud is something out- ... the white woman's private space and steal her vir-.

"We Know We Belong to the Land": The Theatricality of ... - jstor - Related Documents

"We Know We Belong to the Land": The Theatricality of ... - jstor

them from racial privilege, they could often adopt the role of white. American and ... to speak, dress, and sing or dance in the American ... Laurey fears the racial other-Jud is something out- ... the white woman's private space and steal her vir-.

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9Lee W. Formwalt, ed., "Petitioning Congress for Protection: A Black View of Recon- struction ... only 221 farms, most of them plantations (three-quarters of them.

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and conspiracy charges involving robbery and murder. Federal prosecutors had outlined a frightening scenario about plans for a revolution to create a separate.

The Music of Poetry: Wagner in "The Waste Land" - jstor

the relief of Spring with yearning for the ability to articulate song: Quando fiam uti chelidon? ... the elements of an unhealing maiming and thus necessitates a ...

"Arabian Coffee" in the Land of the Sweets - jstor

needed for one of the dances in The Nutcracker: "Coffee. Arabian, the Kingdom of. Yemen. Coffee Mocha. Eastern Dance from 24 to 32 bars of cloying and ...

from "sorrowing lies my land" - jstor

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"Tame Indians," "Wild Heathens," and Settlers in Southern ... - jstor

entirely depopulated from fear of these barbarians."'12 The ... rectangular houses with tiled roofs that they were forced to build in the ... Martinho de Mello e Castro, em que Ihe ddo diversas ... noticias relativas a' comarca dos Ilh6os" (23. Aug.

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the traditional subject, but in these depictions, because it cannot be completed ... Even traditional tattoos embody ... designs and techniques,3 the tattoo is a sign.

Milton Responds to Donne: "On Time" and "Death Be Not Proud" - jstor

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"-uous" and "-ious": on instability in the english suffix system - jstor

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"Elle" to "Mademoiselle". Women's Magazines in Postwar France - jstor

Today an international fashion magazine known for marketing French style to young women, Elle ... would imagine) to learn how to keep up a country house.

"Moses and Monotheism" Revisited—Freud's "Personal Myth"? - jstor

Myth of the Birth of the Hero (1959), originally published in. 1909. ... e v S. v i*2 p G. »N tä. 0 ä. J3 2 o J2. CS ^ r . Ol, E. 0 C. >2 U. c b u S h O". « ^3 a- e. o v. 2 S.

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"vox" and "oratio" in early twelfth century grammar and dialectics - jstor

la nature catégorielle de la vox au xiie siècle », in this volume, p. 328-333. ... 1 9 aurem et tripertito diuiditur, quod est suum corporis, hoc est in altitudi-. 20 nem ...

Beatrice's Greeting and Dante's "Sigh" in the "Vita Nuova" - jstor

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Plato's "Gorgias" and Euripides' "Antiope": A Study in Generic ... - jstor

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with Anne of Green Gables and the possibility of Anne herself being alcohol-affected, precisely to ... In a powerful summary evocation of the novel's opening ...

"Dek Inter" and the "Other": Thai Youth Subcultures in Urban ... - jstor

ingly appropriate and adopt styles from a global2 yout. (including British ... lead from Bangkok, a conspicuous urban youth culture has emerged in Chiang Mai ... is defined in the Thai Royal Institute Dictionary as: "to give pain, to sting, to be ...

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